https://heylink.me/bgshop/ How I Learned to Stop Worrying and Love “2001” - Muslim Parliament

How I Learned to Stop Worrying and Love “2001”

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I’ve always had a very complicated relationship with 2001: A Space Odyssey. For starters I am not a fan of Stanley Kubrick: I see why people deeply worship him and I understand why he’s so revered, but I have never connected to his clinical take on cinema in the way I have with Michael Haneke and David Fincher for example. I love his perfectionism and admire his dedication to his craft, but his movies never click with me. Whenever I find myself in conversations about his work, people are baffled when I tell them my two favorite movies of his are Barry Lyndon and Eyes Wide Shut.

 

Besides my lack of excitement for its maker, my relationship with 2001: A Space Odyssey has very Oedipal undertones. Growing up I always tried to learn how to love my dad’s two favorite movies: Patton and 2001. I still remember that first time when he announced we’d be watching his favorite movie and recall being enraptured by the scenes with the monkeys and thought this would be an adventure movie in the vein of The Jungle Book which I loved. Things got strange due to a grammatical confusion; the Spanish word for “monkey” is “mono” so when the word monolith came up I assumed he’d be a king of the chimps, a King Kong figure. Next thing I know “The Blue Danube” is playing and there’s a lady with a weird hat walking upside down. No more monkeys fighting? The whole thing became so boring that I don’t think I made it all the way through the end. More – https://free-putlockers.com/best-tv-series-5

 

As a teenager in love with cinema I approached it once more and finally finished the whole thing. It was my first time watching the murderous HAL, developing a crush on Keir Dullea and realizing that visual effects had once existed without the aid of computers. However, this time around I found myself being as bored as I’d been as a six year old. I just didn’t get it! Why did I love Citizen Kane, 8 1/2 and freaking Tarkovsky and still saw nothing of value in what most people regard as Kubrick’s masterpiece?

 

 

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